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WITHER

9/2/2022

 
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TRIGGER WARNINGS: religious undertones, fire, blood, allusions to self-harm, death and dying, medication, car accident, casket, suffocation, alcohol, allusions to deceased animals.   
overwritten, overwrought.
poetry by chris mccreary 
Broken Halo
​

Fireball, wrecking ball, shield wall
smashed to atoms or nothing at all

by halves. I will punch a hole through
this whole fucking planet I will do

no such thing. What if I’ve done
nothing but harm what if my love

is nothing but a void a vortex a marked
card a river burning an oar without

a boat a vole without a burrow a
sequence of letters now haloed & golden,

now feral but in sequins spilling until
they’ve spelled out a longing a long

unspoken spell of protection circling
spiraling spinning out in its lingering

even after it’s been dispelled because
nothing’s never nil for naught
​
even when it’s overwritten,
overwrought.
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CHRIS MCCREARY is the author of four books of poems as well as the chapbook "AmoUng" (Shirt Pocket Press 2019), and, along with Mark Lamoureux, "Maris McLamoureary's Dictionnaire Infernal" (Empty Set Press 2017). He lives in South Philadelphia with Frida the cat. You can find him on Instagram at @chris___mccreary. 
you were never known.
poetry by seye fakinlede
13 Verses for a Hermit​

1.
Blessed are you oh recluse because ye are free from humans.
2.
And there is nothing special in virginity.
3.
(………………………………….)
4.
You will die or fade away or both.
5.
But mediation arms your soul, lo, you are free from gossips which harms the mind
6.
Pamper your very self, do not wander unkempt, and be rediscovered like some prehistoric turtle.  
7.
And to live alone is not the closest route to God, whom you have not seen.
8.
A cloak is a beautiful piece of apparel, so is lingerie.
9.
When you die, all the tributaries would be lies. You were never known.  
10.
Prayer works, so are actions without it. If pray. Yet work.
11.
Don’t hide your voice, while hiding your abode.
12.
And your solitary won’t change anyone for,
13.
Intellignatur semper essesimul in Perpetuum
​Seye’s words have appeared in Brittle Paper, Afro Rep, New Note Magazine, Afrocritik, and have some forthcoming in Scrawl Magazine and Lunaris. He tweets at @Ohxeye.
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build the pyre...
poetry by julie forbush
​The Tower

Invocation to 
all the loss I ever knew
If it doesn't work for you
Burn it down

Are you greater than 
the sum of stones that build you

Every arch and compromise
Every crack behind your eyes

Do we fear the flood and fire
Do we reach with strange desire
toward an endless ending

Nothing bleeds that doesn't bleed for me
Every cut and compromise 
leans into its own demise

Every touch a lightning strike
Who among us is not on fire

Every wall that crumbles 
leaves an opening

If it doesn't work for you
Burn it down

-

Subject to None

If obligation is the death of desire
hope I never owe you anything

Never wanted some great love to save me
Never needed your healing hands
We are not beholden to the ghosts who came before

I am subject to none
not a broken thing to gather from some freezing gutter
and shelter in your warmth

No need to fix me I am doing just fine

Tradition is a trash fire
and I will never burn for you

Build the pyre
on my own failings
They are abundant and true
but I will never burn for you

Desire is so inconvenient
Undermines the unassailable sense of self
I grew so carefully

Truss me up in lace and leather
but I am not an invitation
Light the match with incendiary accusations
but I will never burn for you

Keep your name and expectations
I am subject to none
I can hurt myself just fine

and I'll never owe you anything 
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Julie Forbush is an interdisciplinary artist and writer who has seen every episode of 90 Day Fiance.  After dropping out of an English literature degree, she received a BFA and several student loans from Pacific Northwest College of Art.  Her work has been featured on telephone poles, bathroom walls, and in the occasional gallery.
spiritualism and abandonment
photographs by victoria zeoli
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"some of my favorite cassadaga spots that seem to be abandoned, or at least left in unfortunate disrepair. It is this weird liminal space where tourism flourishes on one street while the old mediums' homes behind it remain visibly untouched for years. also included are the out of place jesus statue across the hotel, and of course the devil's chair."
My work is driven by nostalgia and clinging onto the past. Currently obsessing over Florida based Americana.

​www.victoriazeoli.com

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where do words go...?
art by grant beran
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"I have printed them all myself in my own darkroom. All silver gelatin prints with ink drawn or written on."
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I am interested in exploring what a photograph can express and finding
ways, through experimentation, for this expression.

I have been working with photography since I was thirteen and had my
first exhibition at seventeen. From the beginning, I have had an
experimental approach to photography.

Drawing equally from art-historical and contemporary influences and
aspects of pop culture, such as music and fashion, I have exhibited
widely in solo and group presentations throughout the New Zealand and
abroad, including Japan, London, Paris, New York, Sydney and Melbourne and China.

My photographs are in the collection of the Art Gallery of New South
Wales in Sydney as well as private collections around the world.
no solution. only witness.
poetry and prose by carrie redway
Toil

Your hand reached for mine, and you whispered, “I am sure going to miss you.”
The recliner with your weight burned into the lumbar. Glucerna on the counter top. Cups of peaches. Oatmeal. Water.

Sendekot. Oxycodone. All three nausea medications that your system never embraced.

Eternal.

Scorn is on the counter top. There was no helping. No solution. Only witness.
​
Your hand pulled away and fumbled for the trash can at your side. You whispered, “damn it” between dry heaves. Legs and arms shook with tension, expelling a ghost.

-

Luna Moth
​

Will we ever truly be gold again?
And this we that I speak,
          am I even a part of this story? Of your story?

Am I set on making you immortal
          –and is it a gift, or a burden?

We were all once Luna moth,
child,
imago.
Soft bellies, swollen with rust
​
A Luna moth searches for leaves,
a bed,
and we cry for something to guide us

but we now have a pitchfork
pistol
poison
in our own hands

and we find ourselves charged to
purge,
clot,
die,
rust,
scatter.

-

Dandelions

As you fell through the sky, a fireball forcing smoke through your lungs, did you know you would alight? Did you lose all hope for resurrection, witnessing the trees gain momentum?

The smoke trailing from your barreling wake looked like creatures dancing in the clouds. Can I nuzzle into your voice once more before you set into the sun? Your throat split apart by glass and fire and grass blades.

I created a crown of dandelions and wildflowers, and placed it on your head when I was a child.

Maybe you will bloom with them once again. Come alive and begin in new form. One day you will knock on my door. Enter into my field of vision. Sometimes when the sun is piercing through the spaces between tree branches and leaves, I can see you.

I read the news article about the crash every year.

When your body was thrown to the Earth, I hope She received you; offered a dirt cushion to rest your frame, and you sunk so far down deep into her soft fluid folds that your bones never shattered, and your muscles melted into a rest you never knew you would relish.

Kingdom, move me.

I am afraid it was not that serene, but I hope at least it was a blindfold of grace, so dark so quick that your last sight was not the trees spinning closer and closer to your body.

I pick dandelion petals, and spread their seeds with a soft whistle. Their slight bodies were once medicine, honor. And now discarded as weeds. My eyes grow heavy.

Balls of yellow light adorn your grave. Spring up from your dirt bed. Weeds have thick roots, and I will keep them there. Maybe one day, their bodies will grow so thick and long, they will reach where you now lay.

Sun arrive, and bloom.

​Sun loom, and decay.
Carrie Redway is a writer and mixed media artist in Seattle, WA. Her work is inspired by myth, folklore and ritual, focusing where nature, death and grief intersect. She is the author of several zines and two chapbooks: "Vulpecula", a poetry chapbook, and "Queen Skulls", a short story chapbook. You can find her work online and in print with Really System, Rust & Moth, Moonchild Magazine, The Shoutflower, Papeachu Press, among others.

Instagram: @thedna.arts 
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my chest is a closed casket.
poetry by kait quinn
I MISS WRITING POETRY

Air used to be so violet, so cerise,
so attic-dust-waltzing-in-crepuscular-
beam nostalgic. Now a stone presses
firm against my chest, and I swear
my throat is shrinking. They say
cicadas are dead poets singing
poems they never wrote while living,
and I am already sanding down
my vocal chords and thinking
of where to hang my carcass.

-

I’M AFRAID OF EVERYTHING THAT WANTS ME
after Sumaya (@sumayapoetry)

The gold rush became tiring. Tequila and honey-
suckle to keep me dizzy, crumpled

just the way he wanted, swallowing rage
into silence. How much glass can you shatter

before the floor becomes a weapon?
Twelve years later, I'm still digging shards

from my heels. Thirteen years, what's your motive?
Fifteen, my chest is a closed casket.

I grow wary of being, even in my
blackest dresses, a daffodil delight.

I stable myself just to avoid the staleness of it all.
A life in pieces. A starving horse.
​
The next war is going to kill us all.​
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Kait Quinn (she/her) was born with salt in her wounds. She flushes the sting of living by writing poetry. Her work has appeared in Reed Magazine, Last Leaves Magazine, Crosswinds Poetry, Chestnut Review, Polemical Zine, VERSES, and others. By day, Kait is a legal assistant living in Minneapolis with her partner, their regal cat (Spart), and their very polite Aussie mix (Jesse).

Website: kaitquinn.com
IG: @kaitquinnpoetry
...bird's nests grow underneath my eyes...
poetry by juliet cook
Internal Suffocation

Creepy bird's nests grow underneath my eyes
like an expanding sign that the baby birds died.

My middle-aged gut gurgles and brims
with fatty tissue and bloody water.

I see myself falling down
the stairs and stabbing myself
with the scissor blades I'm holding
for the millionth time but this time I might actually die
like a self-inflicted repetitive cliché
drowning in watered down blood and alcohol.
​
A bird of prey might peck out my eyes
to widen the bird's nests underneath them,
then crawl inside and peck out my brain.
Juliet Cook is brimming with black, grey, silver, purple, and dark red explosions. She is drawn to poetry, abstract visual art, and other forms of expression. Her poetry has appeared in a peculiar multitude of literary publications. You can find out more at her website (www.JulietCook.weebly.com) or follow her on facebook (https://www.facebook.com/glitterwitch/) or twitter (@nonvanilla) or Instagram (@julietbloodyooze/).
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